![]() Sometimes the cases are complicated because of twisty plotting and other times they’re complicated because they defy an outsider’s understanding. Hillerman’s world is one of witches, medicine men and secular skeptics, where the power of local religion depends on how deeply you believe and where the occult and the darker forces of human nature go hand-in-hand. ![]() Unraveling the various crimes will bring Leaphorn and Chee, characters featured together or as individuals in 20+ Hillerman novels, into contact with evangelistic used car dealer Devoted Dan ( Rainn Wilson), menacing and scarred Frank (Eugene Brave Rock) and pregnant teen Sally (Elva Guerra), among other vivid characters. ![]() Adding pressure is Whitover ( Noah Emmerich), a cavalierly racist FBI agent prepared to plow through jurisdictional hurdles in search of what he sees as a situation urgent enough to earn him a promotion far from the Southwest. He’s too close to the case, but he begins following it anyway, assisted by newly assigned officer Jim Chee (Kiowa Gordon), a college boy who left the reservation nearly a decade earlier, and by his veteran sergeant Bernadette Manuelito (Jessica Matten). Leaphorn is on the job when a couple of bodies, including that of his late son’s former girlfriend, are found at a local motel, perhaps tied to a spiritual rite. Leaphorn and his wife Emma (Deanna Allison), a nurse, are still mourning the loss of their son in an oil drilling explosion. Zahn McClarnon, having a well-deserved and long overdue moment of industry embrace, plays Joe Leaphorn, a police officer working the Navajo tribal beat in what seems to be 1970, or thereabouts. Those are the terms on which the show succeeds. Coming in at six episodes, all under 50 minutes and one even under 40, the first season might have been better condensed into a 90-minute pilot introducing the main characters, settings and distinctive attributes of Tony Hillerman’s literary universe. 'Lucky Hank,' Starring Bob Odenkirk, Canceled at AMCĪs a thriller, Dark Winds is rushed, and it feels like large chunks of motivation and explanation have to be delivered in lengthy blocks of text that nobody figured out how to stage in a propulsive way.
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